http://on.fb.me/Or8Lk1 to download for free. facebook.com/trapzillas soundcloud.com/trapzillas Anton
is a classically trained musician,[2] born from two musicians,[3] who
began playing the piano and drums at the age of four. In 2002 he began
playing for the German band, Dioramic, signed by Lifeforce Records.
Anton's interest in producing electronic music was piqued after hearing
'†' by French electronic duo Justice.[4] He began producing electronic
music in 2009. [edit]Music Production. In 2012, Zedd
signed with Interscope Records and released his debut single from the
label, Spectrum, with vocals by Matthew Koma. He then produced the Eva
Simons song, I Don't Like You, which was also released on Interscope.
He also co-produced the track
American Idol favorite Jared Cotter and All My Children's Chrishell Stouse are giving music lovers the chance to meet three good lookin', eligible musicians. Then, we're leaving it up to them to decide which musician rocks their world — without ever seeing them! Weekdays at 6pm ET on FUSE!
American Idol favorite Jared Cotter and All My Children's Chrishell Stouse are giving music lovers the chance to meet three good lookin', eligible musicians. Then, we're leaving it up to them to decide which musician rocks their world — without ever seeing them! Weekdays at 6pm ET on FUSE!
Original guitar music with Fable and David Vigil (Morningstar), artist / musician of Santa Fe, New Mexico, USA. \'Beatinthepocket\' in sites, (search Google Yahoo or Bing).
"Why I Stopped Calling" is a Music Video Short starring Elijah Jamal about how certain occupations can challenge relationships. Elijah wrote and performed the music as well as developed the idea for the video that he directed with Alexander King.
http://www.WhitneyVandell.com Whitney
Vandell’s debut record takes its namesake from that same title, one
that has been hard-earned by Vandell over years of intense work. The
African-native instrumentalist has released one of the more intriguing
and eclectic instrumental records thus far this year on the indie
scene. What makes the ‘One-Girl Symphony’ so interesting is Vandell’s
hand over a vast array of genres. The record style-hops with ridiculous
tact, shifting from classical influences to rock and roll and blues in
seamless movements. Speaking of which, there actually are movements.
Her debut album is broken into four autobiographical sections of three
songs each: Teenage Turbulence, The Formative Years, Return to
Innocence & Hope, and Empty Promises to Broken Hearts.
