Each day, 600,000 New Yorkers hop in the back of a taxi – the iconic yellow cab that is a symbol of New York City around the world. Starting today, the first full vehicle prototype of the Taxi of Tomorrow can be seen by drivers, passengers and owners. The 2014 Nissan NV200 taxi, New York’s Taxi of Tomorrow, will make its global debut tonight at a special event in SoHo with Mayor Michael Bloomberg and Nissan President and CEO Carlos Ghosn.
Following the event, the Taxi of Tomorrow is headed to the 2012 New York International Auto Show, where it will be on display for New Yorkers and visitors from around the world. The auto show at the Jacob Javits Center is open to the public April 6-15, 2012.
To view Multimedia News Release, go to http://www.multivu.com/players/English/55179-nissan-new-york-city-taxi-of-tomorrow/
The German government employees called out for strike in some parts of Germany. There is no public transport is available for visitors of the CeBIT 2012 in Hanover. Residents who are able to give visitors a lift have a red symbol in their car.
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Hindu art, unlike Buddhist art, shows the human figure curved, voluptuous and filled with potential motion. Parvati below is shaped and dressed (only in jewelry to emphasize her sexuality and a crown) like the Yakshi. Ganesha, the elephant-headed god in the center, is corpulent, the result of \\good living.\\ Vishnu on the right is portrayed with a fit, but soft body, and with four arms to show his many powers.
The Indian artist had an entirely different starting point. He considered that the perfect human animal was an inadequate symbol for the beauty of the divine nature which comprehended all human qualities and transcended them all. It was only by meditating on the Ultimate Perfection that the artist�s mind could perceive some glimmer of the beauty of the Godhead. Mere bodily strength and mundane perfections of form are never glorified in Indian art. Indian art is essentially idealistic, mystic, symbolic, and transcendental. The artist is both priest and poet. In this respect Indian art is closely allied to the Gothic art of Europe � indeed, Gothic art is only the Eastern consciousness manifesting itself in a Western environment. But while the Christian art of the Middle Ages is always emotional, rendering literally the pain of the mortification of the flesh, the bodily sufferings of the Man of Sorrows, Indian art appeals more to the imagination and strives to realize the spirituality and abstraction of a supra-terrestrial sphere.
Overweight high-school senior Maggie Baker always felt sorry for herself for not being as skinny, pretty or wealthy as the popular girls at school. When Maggies name ends up on the list of nominees for homecoming court as a prank by her classmates, Maggie chooses to stay on the ballot in order to represent all the outcasts at school. As word of her courageousness spreads, Maggie becomes a local celebrity and a symbol for all those who were bullied in high school. But when Maggies newfound fame goes to her head she is forced to take a long, hard look at herself and reevaluate which battles are worth fighting.
