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Lovers of art, history and gardens will encounter a feast for the senses during the Tiffany at Biltmore exhibition, now open at Biltmore, George Vanderbilt’s 8,000-acre mountain estate.
The exhibition of stained-glass lamps created by Louis Comfort Tiffany (1848-1933) and The Tiffany Studios fills the Biltmore Legacy exhibition hall in the estate’s Antler Hill Village. Known as “Tiffany Lamps: Articles of Utility, Objects of Art,” the exhibition comes to Biltmore from The Neustadt Collection of Tiffany Glass in New York City. It is an in-depth look at the Tiffany Studios’ efforts to produce lamps that balance artistry with utility and profitability.
To view Multimedia News Release, go to http://www.multivu.com/mnr/50782-tiffany-at-biltmore
Members of IEEE, the world’s largest technical professional association and engineers from across the globe are in a pivotal role to deliver societal solutions – that make a difference; that benefit humanity. They are representative of tomorrow's Solutionist: identifying problems and solving them with technical innovations and solutions that matter.
To open the dialogue on engineering’s role in bringing about innovation for a better tomorrow, IEEE created a new microsite, IEEE Solutionists (http://solutionists.ieee.org) – featuring global thought leader perspectives in engineering and technology. This site hosts a series of articles from IEEE Fellows, including Mr. Norm Augustine, Dr. Sophie Vandebroek, Dr. Vinton G. Cerf, and Dr. John Cioffi, where they offer insight on how engineers can drive technical innovation; evolve perceptions of engineers globally; show how education impacts engineering; and why it’s important for engineers to follow their dreams to change the world, among other topics.
to view Multimedia News Release, go to http://multivu.prnewswire.com/mnr/ieee/49812/
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Hindu art, unlike Buddhist art, shows the human figure curved, voluptuous and filled with potential motion. Parvati below is shaped and dressed (only in jewelry to emphasize her sexuality and a crown) like the Yakshi. Ganesha, the elephant-headed god in the center, is corpulent, the result of \\good living.\\ Vishnu on the right is portrayed with a fit, but soft body, and with four arms to show his many powers.
The Indian artist had an entirely different starting point. He considered that the perfect human animal was an inadequate symbol for the beauty of the divine nature which comprehended all human qualities and transcended them all. It was only by meditating on the Ultimate Perfection that the artist�s mind could perceive some glimmer of the beauty of the Godhead. Mere bodily strength and mundane perfections of form are never glorified in Indian art. Indian art is essentially idealistic, mystic, symbolic, and transcendental. The artist is both priest and poet. In this respect Indian art is closely allied to the Gothic art of Europe � indeed, Gothic art is only the Eastern consciousness manifesting itself in a Western environment. But while the Christian art of the Middle Ages is always emotional, rendering literally the pain of the mortification of the flesh, the bodily sufferings of the Man of Sorrows, Indian art appeals more to the imagination and strives to realize the spirituality and abstraction of a supra-terrestrial sphere.
