T.I. Featuring Rihanna - Livin’ Your Life Lyric
(Rihanna):
You’re gonna be a shining star, and fancy cars, fancy car-ars.
And then you’ll see, you’re gonna go far.
Cause everyone knows, who you are-are.
So live your life, ay ay ay.
Instead of chasing that paper.
Just live your life (Oh!), ay ay ay.
You got no time for no inters.
Just live your life (Oh!), ay ay ay.
No telling where it’ll take you.
Just live your life (Oh!), ay ay ay.
Cause I’m a paper chaser.
Just living my life (ay), my life (oh), my life (ay), my life (oh)
Just living my life (ay), my life (oh), my life (ay), my life (oh)
(T.I.):
Nevermind what haters say, ignore them ’til they fade away.
Amazing they ungreat for after all the games I gave away.
Safe to say I paved the way, for you can’t get paid today.
You still be wasting days away, nah had I never saved the day.
Consider them my protégé, how much I think they should pay.
Instead of being gracious, they violated and made you wait.
I never been a hater still I love them, yeah I graze the way.
Some say they so yay and no they couldn’t even work on Labor day.
It aint that they black or white, their hands of area in shades of grey.
I’m West side anyway, even if I left the day it fades away.
Some move away to make a way not move away cause they afraid.
I’ll go back to the hood and all you ever did was hate away.
I pray for patience but they make me want to face away.
Like I once made them scream, now I could make them plead their case away.
Been thuggin’ all my life, can’t say I don’t deserve to take a break.
If you ever see me catch a case, and watch my future fade away.
(Rihanna):
You’re gonna be a shining star, and fancy cars, fancy car-ars.
And then you’ll see, you’re gonna go far.
Cause everyone knows, who you are-are.
So live your life, ay ay ay.
Instead of chasing that paper.
Just live your life (Oh!), ay ay ay.
You got no time for no inters.
Just live your life (Oh!), ay ay ay.
No telling where it’ll take you.
Just live your life (Oh!), ay ay ay.
Cause I’m a paper chaser.
Just living my life.
(T.I.):
I’m the opposite of moderate, immaculately polished with the spirit of a hustler and the swagger of a college kid.
Allergic to the counterfeit, impartial to the politics.
Articulate but still would grab a nigga by the collar quick.
Whoever had problems, they reckonsile they just holla ’til.
If that don’t work and just fails, then turn around and follow ’til.
I got love for the game but ay I’m not in love with all of it.
I do without the fame and the rappers nowadays are comedy.
The hootin’ and the hollerin’, back and forth with the argueing.
Where you from, who you know, what you make and what kind of car you in.
Seems as though you lost sight of whats important with the positive.
And checks until your bank account, and you’re about poverted.
Your values is a disarrayed, prioritized are horribly.
Unhappy with the riches cause you pis-pone morraly.
Ignoring all prior advice and fore warning.
And we might be full of ourselves all of a sudden aren’t we?
(Rihanna):
You’re gonna be a shining star, and fancy cars, fancy car-ars.
And then you’ll see, you’re gonna go far.
Cause everyone knows, who you are-are.
So live your life, ay ay ay.
Instead of chasing that paper.
Just live your life (Oh!), ay ay ay.
You got no time for no inters.
Just live your life (Oh!), ay ay ay.
No telling where it’ll take you.
Just live your life (Oh!), ay ay ay.
Cause I’m a paper chaser.
Just living my life (ay), my life (oh), my life (ay), my life (oh)
Just living my life (ay), my life (oh), my life (ay), my life (oh)
So live your life.
(Casha)
If you know exactly what I wanna do
Then I'm a give the business to you
[Verse 1:]
See I ain't neva met a girl
That's getting down like you
(never met a girl like you baby)
And I ain't neva met a girl
That put it down like you
(you know you make it do what it do baby)
(Ay ay ay)
Say thug in yo life
That's what you need shawty
Anything you want
It's guarenteed for my
Boo boo boo boo boo
yea yea yea
And I ain't tryina go hard
For what I need shawty
I'm tryina tell you exactly what I need from
You you you you you
Cause you know I wanna
[Chorus:]
A Freak in morning
A Freak in the evening
Just call me up and I'll be there when you need me
When ever you want me you can come and see me
Cause you know just what to do
You give me the business
Give me the business
Give me the business
You give me the business
Shawty give me the business
If you know exactly what I wanna do (You want it too)
Then I'm a give the business to you
Oh, oh ohohoh, oh oh ohohoh
Then I'm a give the business to you
Oh, oh ohohoh, oh oh ohohoh
(Can I give you the business shawty)
(Can I give you the business shawty)
(From the show to the afterparty)
Baby I'm a give the business to you
[Verse 2:]
Ay,that business baby
Cause I really wanna drive you crazy
Wanna kiss wanna rub wanna lick wanna touch
Wanna put it inside you baby
Wanna climb on top of you
And give it to you for a hour or two
until you cum I
Wannna hit it from the back
Ooo stroke, stroke for a minute or two
Because ya so tight
Booty hung right
Got her tongue right
Ride with me
To the sunlight
We can have a little Sex in the City baby
You can be Carrie
I'm a be Mr. Biggs
Cause you so fine
And you just right
But you look much better with me
So let me manage ya girl
And did I eva tell ya
That it's nice to know ya
And you know I wanna
[Chorus:]
A Freak in morning
A Freak in the evening
Just call me up and I'll be there when you need me
When ever you want me you can come and see me
Cause you know just what to do
You give me the business
Give me the business
Give me the business
You give me the business
Shawty give me the business
If you know exactly what I wanna do (You want it too)
Then I'm a give the business to you
Oh, oh ohohoh, oh oh ohohoh
Then I'm a give the business to you
Oh, oh ohohoh, oh oh ohohoh
(Can I give you the business shawty)
(Can I give you the business shawty)
(From the show to the afterparty)
Baby I'm a give the business to you
[Bridge:]
Lets talk about that business baby
It's more than just a 8 letter word
It describes me and you
And what we do
Hold on this shit is so good, I gotta repeat fa ha
Ya, see you been playing all night
Now its time to handle business baby
Keep goin hard on ya job when ya do it
Ma, you drive me crazy
You drivin me crazy when ya
Give me the business
G-give me give me, g-give me give me, give me the business
G-give me the business
Shawty give me the business
If, if, if, if you know exactly what I wanna do
Then I'm a give the business to you
Oh, oh ohohoh, oh oh ohohoh
Then I'm a give the business to you
Oh, oh ohohoh, oh oh ohohoh
(Can I give you the business shawty)
(Can I give you the business shawty)
(From the show to the afterparty)
Baby I'm a give the business to you
Theo Kogan has been in the fashion and music industry for over 10 years, as a model and muse doing campaigns for Kenneth Cole, Calvin Klein, Burberry, Courvoisier, Rimmel and many more as well as tons of Fashion Editorial and runway work. As the singer of her former all female band Lunachicks, she inspired a gaggle of young girls and boys to emulate her style and start bands of their own. For over a decade she toured around the world with the likes of Marilyn Manson, Rancid, The Offspring and many others. Theo is also an actress and has been in films directed by Martin Scorcese, Jane Campion, and cult classics like High Times Potluck, and Terror Firmer by Troma Films and the animated feature Live Freaky Die Freaky. She is also involved in Avante Garde Theater, in the roster of NYC’s prestigious Performance Space 122 and the Summer Play Festival and Rotozaza UK and numerous collaborative performances with BIG ART GROUP, Theo\'s ongoing collaboration with Rob Roth in SCREEN TEST.2 in Jan 2008. Theo also hosted the hit Fuse show Pants Off, Dance Off, and had television roles on Law And Order SVU, Third Watch and more. She also appeared on VH1\'s The Metal Years and My First Time. She also did motion capture for the new game by the makers of Guitar Hero called Rockband. Characters in the game are based on her movement! Theo is a budding business mogul, about to launch a new lip-gloss and make up line called Armour Beauty with partner Allison Burns. The line will launch in Jan 2008. She is also a DJ and Party Promoter of Rated X The Panty Party with partner Michael T in NYC. Courtesy of Theo Kogan on MOLI.
Visit Theo Kogan on MOLI.com
Want more? Visit us at http://www.moli.com/p/register//50000171
The Rock & Roll Acid Test is more than just a show. Its an adrenaline injected, rock fueled perversion of the scientific method. Yours hosts will risk bodily harm to prove of disprove some of rocks most enduring myths. Dont miss all the educational fun! And explosions. Did I mention there are explosions? TUESDAYS at 10pm ET on FUSE.
The Rock & Roll Acid Test is more than just a show. It\'s an adrenaline injected, rock fueled perversion of the scientific method. Your hosts will risk bodily harm to prove or disprove some of rocks most enduring myths. Dont miss all the educational fun! And explosions. Did I mention there are explosions? TUESDAYS at 10pm ET on FUSE.
\The Columbine Cause\ by Evan Long raises questions about the April 20, 1999 attack on Columbine High School which have gone unaddressed or unanswered by corporate and state media, including:
Why do counts of the ballistics evidence charts yield totals far greater than the three hundred-odd shots officially stated by law enforcement officials to have been fired?
Why did students and teachers inside the school during the attack describe up to a dozen distinct shooters, some of whom some of them were able to identify by name as neither Eric Harris nor Dylan Klebold?
Why were the people of the world told that the attack was a \wake-up call\ when some Columbine students knew it to have been \the big rumor\ for up to two years in advance?
There is much more to the story of the attack on Columbine than has been widely made known.
http://www.xmail.net/evanlong/tcc/
\\\The Columbine Cause\\\ by Evan Long raises questions about the April 20, 1999 attack on Columbine High School which have gone unaddressed or unanswered by corporate and state media, including:
Why do counts of the ballistics evidence charts yield totals far greater than the three hundred-odd shots officially stated by law enforcement officials to have been fired?
Why did students and teachers inside the school during the attack describe up to a dozen distinct shooters, some of whom some of them were able to identify by name as neither Eric Harris nor Dylan Klebold?
Why were the people of the world told that the attack was a \\\wake-up call\\\ when some Columbine students knew it to have been \\\the big rumor\\\ for up to two years in advance?
There is much more to the story of the attack on Columbine than has been widely made known.
http://www.xmail.net/evanlong/tcc/
\\\The Columbine Cause\\\ by Evan Long raises questions about the April 20, 1999 attack on Columbine High School which have gone unaddressed or unanswered by corporate and state media, including:
Why do counts of the ballistics evidence charts yield totals far greater than the three hundred-odd shots officially stated by law enforcement officials to have been fired?
Why did students and teachers inside the school during the attack describe up to a dozen distinct shooters, some of whom some of them were able to identify by name as neither Eric Harris nor Dylan Klebold?
Why were the people of the world told that the attack was a \\\wake-up call\\\ when some Columbine students knew it to have been \\\the big rumor\\\ for up to two years in advance?
There is much more to the story of the attack on Columbine than has been widely made known.
http://www.xmail.net/evanlong/tcc/
\The Columbine Cause\ by Evan Long raises questions about the April 20, 1999 attack on Columbine High School which have gone unaddressed or unanswered by corporate and state media, including:
Why do counts of the ballistics evidence charts yield totals far greater than the three hundred-odd shots officially stated by law enforcement officials to have been fired?
Why did students and teachers inside the school during the attack describe up to a dozen distinct shooters, some of whom some of them were able to identify by name as neither Eric Harris nor Dylan Klebold?
Why were the people of the world told that the attack was a \wake-up call\ when some Columbine students knew it to have been \the big rumor\ for up to two years in advance?
There is much more to the story of the attack on Columbine than has been widely made known.
http://www.xmail.net/evanlong/tcc/